Icon comm for Teacakes! They requested a sheepish or embarrassed expression of their character. This icon was $10! Comms are currently still open.

This is one of the silliest things I’ve drawn and is of two characters that aren’t that silly. One of Ivan’s favorite animals are sheep and one of Drake’s (@heyaitsfreyah) are snails… so into kigurumis they go.

Everything here is old old old, but still pretty accurate to Lamb's design in all her forms (Maiden, Fury, Ewe, Beast), but this is a post where I can point to for reference purposes. Due to the post limit I can't really put all of her info on here, but Lamb is inspired by characters such as The Unicorn from The Last Unicorn, Cheza from Wolf's Rain, Alice from the American Mcgee's Alice franchise, Celtic faery lore, and my general love for sheep. She is essentially an old soul who made a deal with the fae centuries ago that landed her in the position of a beautiful, elegant creature with a rage mode towards those who hunt her and her flock of damned sheep. She has her own lore separate from the creepypasta fandom, but often times I'll draw her with crp characters, particularly with my version of Jeff the Killer (Jeffrey Wolfe). It's a silly verse that coincides with the Slender Manor concept, except even then she's never a resident of the estate, more-so an ally who prefers the forest and the company of her sheep than any _wolves_ of the manor. For more information on Lamb and her flock, you can find it on my [Toyhouse](https://toyhou.se/14517051.lamb) or feel free to ask questions here!

My favorite adopt I ever made and it went completely unsold. Cotton candy sheep you will live on in my heart. I may adopt them as my own OC honestly, would be a shame to leave them to waste away.

Hand drawn Ink art by William McAusland, Writing by Colin Chapman 
[40% Chance actually a bestial human sheep.]
 Despite being herbivorous, bestial human goats and sheep will attempt to eat nearly anything once, and can derive sustenance from nearly any non-toxic plant-derived substance including cardboard. Humanoid sheep have returned to their wild roots physically, and both sheep-men and goat-men are surprisingly agile and sure-footed.
 Thanks to their thick hair or fleece, they can withstand cold conditions twice as well as a human, even without winter clothing. The males of both species of humanoids also sport horns capable of delivering a bone-crunching head butt (SV +10/ DMG 1d12, double damage if allowed to charge from 6m or more). Nannies and ewes only possess horns 50% of the time, unless the GM specifies that both genders exhibit horns equally. Their wariness and keen senses provide them with a +1 initiative bonus. Ink illustration from The Mutant Epoch RPGs Expansion Rules Book. Learn about this game book at https://www.amazon.com/dp/0994923791 or https://www.outlandarts.com/expansionrules.htm #goat #beast #bestial #manimal #RPG #ttrpg #goatman #billygoat #bestialhuman #characters #noaiart #williammcausland #wasteland #mutantepoch #apocalyptic #expansionrules #postapocalyptic #themutantepoch #outlandsystem #outlandarts #mutants #mutant #epoch #inkartist #Kamloopsartist #apocalyptic #fallout like #gammaworld
 #humanoidanimal #roleplayinggame #indiegame goat, goatman, beast, bestial, manimal, billygoat, color change, RPG, ttrpg, bestial human, characters, noaiart, william mcausland, wasteland, mutant epoch, apocalyptic, expansion rules, post-apocalyptic, the mutant epoch, outland system, outland arts, mutants, mutant, epoch, ink artist, Kamloops artist, apocalyptic, fallout, like, gamma world, humanoid animal, roleplaying game,

Sheep Warrior Character Concept

Hello everyone, this is my first post! Today I am introducing my webcomic protagonists. The lead is Morgan (right) and the second lead is Edil (left). My comic is a simple story about the wobbly time of early adulthood, and I love to illustrate the themes of hospitality, love, kindness, and food. Morgan is a self-made success who spends his earnings irresponsibly, and Edil is the black sheep of a wealthy and well-accomplished family. They are such difficult characters for me because they have moments of being severely flawed; Edil is a failure in his academic endeavor, and Morgan's lifestyle choices are contentious and selfish. It is a delicate subject and I am not sure how it will be received by readers; I want to approach it responsibly so that I show a positive example and convey a meaningful moral. You know, I think you have to be a good person if you want to write good characters. Sometimes I wonder if I am a delusional person. I don't want my characters to be deluding each other and licking each others' wounds while they persist to be wrong. Kindness, understanding, and the want for good things for others are themes that I explore a lot of in my story. My characters need to grow up, and so do I. I trust that readers will have forgiveness for characters who earn forgiveness after their flaws. I want to write precious characters who grow up and become strong. So, this is my youthful early-twenties story that I must start and finish in my early-twenties. When I'm older and more mature, I'll look back on this and maybe think it's a piece of shit. This is my time capsule of all my identity, thoughts, and interests at this time of my life.

When Cult of the Lamb came out you know I had to add to the pile of demonic sheep! and with a dedicated worshiper such as Sass in the background It was inevitable for me to arrive. Ill reward her handsomely <3 Seen first on my [Twitter](https://twitter.com/sovietmint) Then on [FurAffinity](https://www.furaffinity.net/user/demokratis/)

> [**Image:** A short comic in stylized, quadriptych-like geometry. The first panel shows the Lastborn gesticulating as he looks down into his own silhouette, which encloses Trahearne. He says ‘You were one of the first to leave… And you disappeared. You threw away the very thing that I could never have. I guess I resented you for that…’ > > The Lastborn turns away in the next panel, sheepishly folding his hands. Trahearne dips his head, deep in thought. The Lastborn continues. ‘I felt so betrayed that you left… And when you came back, I felt betrayed that it was so easy for you to come home… It meant I was alone in my alone-ness again.’ > > The next two panels invert the silhouettes of Trahearne and the Lastborn, with Trahearne rendered in white against a black background. He holds the sword Caladbolg / Caladcholg over his shoulders, but it seems to crumble under its own weight, and he does, too. He peeks out from the crook of his arm, and says ‘I never understood why you acted out. I envied you, actually. I thought you had been given the only true freedom.’ > > The Lastborn is minimized into a tiny sprite of himself. He sits at Trahearne’s feet and asks ‘Freedom?’ > > Trahearne continues. ‘Freedom from the Dream, the Hunt, the Tree, our people.’ > > In the last panel, more pieces of the blade fall away as Trahearne’s grip on it falters. He looks at the Lastborn properly, now, and says ‘Even when the weight of my burden became too great to carry alone, I couldn’t afford to fail. It was never an option. So I ran, and I hid myself in my studies. But I was never truly free.’] ◆◆◆ First of the first and last of the last have grief that rhymes, but instead of bringing them together, it just gives them 3947287 layers of beef that they’re too stoic to act out about. (And _then_ it brings them together. Later. Much later.)

ref sheet of my sheepyhead Emile sheepyheads is a semi closed species by sunscones

My fursona, Claire the cotton candy sheep <3

Meet my OC, Pax! Pax is a sheep demon - she is also a netrunner, and loves hanging out on high places. This piece took a long time to do - and was a lot of firsts for me. Background, colors, and on top of that I was trying to find a way of shading that works for me. I am pretty happy with it!