And this is a solid example of the _other_ end of my stylistic spectrum. As much as I like drawing "2000's SEGA" style mascot characters, I _also_ love drawing bizarre, semi-speculative fantasy scifi gubbins (which are also sometimes - no, often - furries but that's neither here nor there.)
This is my interpretation of a dragon, for my fantasy setting of Almyrigo (from which I initially derived my username.) A little cthulhu, a little xenomorph, looking both a bit like a parasite and a bit under the weather itself, it's an attempt to "put the devil back in the dragon," so to speak. I love how medieval depictions of dragons were just these nightmarish amalgamations of all the scariest parts from all the scariest animals, so I kinda tried to do that but with the things we find scary now.
Fun fact: I gave this piece its title because it's the first (largely) charcoal drawing I've ever finished.
This is my interpretation of a dragon, for my fantasy setting of Almyrigo (from which I initially derived my username.) A little cthulhu, a little xenomorph, looking both a bit like a parasite and a bit under the weather itself, it's an attempt to "put the devil back in the dragon," so to speak. I love how medieval depictions of dragons were just these nightmarish amalgamations of all the scariest parts from all the scariest animals, so I kinda tried to do that but with the things we find scary now.
Fun fact: I gave this piece its title because it's the first (largely) charcoal drawing I've ever finished.
And this is a solid example of the _other_ end of my stylistic spectrum. As much as I like drawing "2000's SEGA" style mascot characters, I _also_ love drawing bizarre, semi-speculative fantasy scifi gubbins (which are also sometimes - no, often - furries but that's neither here nor there.)
This is my interpretation of a dragon, for my fantasy setting of Almyrigo (from which I initially derived my username.) A little cthulhu, a little xenomorph, looking both a bit like a parasite and a bit under the weather itself, it's an attempt to "put the devil back in the dragon," so to speak. I love how medieval depictions of dragons were just these nightmarish amalgamations of all the scariest parts from all the scariest animals, so I kinda tried to do that but with the things we find scary now.
Fun fact: I gave this piece its title because it's the first (largely) charcoal drawing I've ever finished.
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