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  • My most recent experiment with painting dust, color, and space. I used a black and white value sketch and then put color over it while trying to retain those values.
    My most recent experiment with painting dust, color, and space. I used a black and white value sketch and then put color over it while trying to retain those values.
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  • He/They | Dragonborn Bard/Sorcerer

    A new Dungeons and Dragons character in a campaign with a steampunk setting.

    They're a bard/painter from a small town that has traveled to a large flying city with two of his friends. He uses paint and ink in his spellcasting and the body paint on his right arm is actually a small inkling familiar.

    Since he's from a more rural, small town, I wanted his clothing design to include less technology or filligree.
    He/They | Dragonborn Bard/Sorcerer A new Dungeons and Dragons character in a campaign with a steampunk setting. They're a bard/painter from a small town that has traveled to a large flying city with two of his friends. He uses paint and ink in his spellcasting and the body paint on his right arm is actually a small inkling familiar. Since he's from a more rural, small town, I wanted his clothing design to include less technology or filligree.
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  • A location in my 5e campaign. These gates are a part of the ruins of an ancient city called Shadrest. The party was asked to delve into the ruins to determine if there was any danger and to deal with it. Inside, they encounter the memory that the place retained, somehow pulling them into it. which culminates with them nearly dying to a Parasite that was consuming the memory.
    A location in my 5e campaign. These gates are a part of the ruins of an ancient city called Shadrest. The party was asked to delve into the ruins to determine if there was any danger and to deal with it. Inside, they encounter the memory that the place retained, somehow pulling them into it. which culminates with them nearly dying to a Parasite that was consuming the memory.
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  • A reference sheet for Kieth on twitter of his Werewolf Druid. This one really pushed my capabilities. I was working with a bunch of new stuff and trying to make a lot of things in sequence. I'm super proud of how it turned out though and working with Kieth was super fun.
    A reference sheet for Kieth on twitter of his Werewolf Druid. This one really pushed my capabilities. I was working with a bunch of new stuff and trying to make a lot of things in sequence. I'm super proud of how it turned out though and working with Kieth was super fun.
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  • The holy symbol of Peoth. A major deity in Elsyr and one of the gods of Pantessian Alliance. A god of Order, War, and Burning Sunlight, I wanted to create a few slightly different styles of the holy symbol for different sects. Each of which is one of these triangles. 
    The holy symbol of Peoth. A major deity in Elsyr and one of the gods of Pantessian Alliance. A god of Order, War, and Burning Sunlight, I wanted to create a few slightly different styles of the holy symbol for different sects. Each of which is one of these triangles. 
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  • A commission for a friend. He wanted something summer themed and my mind went to frozen yogurt.
    A commission for a friend. He wanted something summer themed and my mind went to frozen yogurt.
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  • What is it doing? My first finished piece that I focused on rendering space-like gas and debris in a painterly style. I wanted to make the movement of the piece fit with what I was trying to do with the rendering.
    What is it doing? My first finished piece that I focused on rendering space-like gas and debris in a painterly style. I wanted to make the movement of the piece fit with what I was trying to do with the rendering.
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  • A commission my boyfriend got for me from Xantouke on Twitter. He makes amazing work and I highly reccomend you follow him ther if you can.
    A commission my boyfriend got for me from Xantouke on Twitter. He makes amazing work and I highly reccomend you follow him ther if you can.
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  • Reference Sheet for Ten, a werewolf I designed for myself.
    Reference Sheet for Ten, a werewolf I designed for myself.
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  • Reuploading this here. I did this some years ago for a twitter header and it was my first foray into a dusty atmospheric look combined with hard graphic lines overlayed onto it.
    Reuploading this here. I did this some years ago for a twitter header and it was my first foray into a dusty atmospheric look combined with hard graphic lines overlayed onto it.
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  • I LOVE clouds and atmospheric perspective. I've had the idea for a tower of clouds for years but have never felt like I had the skill to create what I imagined. So I used m personal project to learn value painting to make this
    I LOVE clouds and atmospheric perspective. I've had the idea for a tower of clouds for years but have never felt like I had the skill to create what I imagined. So I used m personal project to learn value painting to make this
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  • A prop my partner askedme to help design his character's lightsaber for a 5e campaign he's a part of. I wanted to try itterating ideas and working with him to fit his character's core design.
    A prop my partner askedme to help design his character's lightsaber for a 5e campaign he's a part of. I wanted to try itterating ideas and working with him to fit his character's core design.
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